Word is bond, I want to make a Lionel Ritchie face model of her. I don’t even care if she’s blind.

Word is bond, I want to make a Lionel Ritchie face model of her. I don’t even care if she’s blind.

gregorysmusicrecommendations: fuckyeahstreetstyle: Dapper as fuck. Why is this kid dressing like me. (Source: Flickr / hackettlondon)

gregorysmusicrecommendations:

fuckyeahstreetstyle:

Dapper as fuck.

Why is this kid dressing like me.

(Source: Flickr / hackettlondon)

gq: popchartlab: Bill Murray as Han Solo? Yup.  Apparently just the first in a whole series of The Lost Roles of Bill Murray shirts. Get rid of that ticket in the lower right hand corner and I’d wear that t-shirt.

gq:

popchartlab:

Bill Murray as Han Solo? Yup. 

Apparently just the first in a whole series of The Lost Roles of Bill Murray shirts.

Get rid of that ticket in the lower right hand corner and I’d wear that t-shirt.

spazx22: the-weekndxo: www.the-weeknd.com So. Fucking. Good.  Did this just drop?

spazx22:

the-weekndxo:

www.the-weeknd.com

So. Fucking. Good. 

Did this just drop?

http://bryanlewissaunders.org/drugs/

oshea-amen:

definitely an extreme, self-destructive spin-off of this: http://www.cowboybooks.com.au/html/acidtrip1.html

What is this I don’t even

(Source: , via superandytc)

blacksheepboy- liked this

austinkleon: Billy Wilder, 1960 Wilders 10 screenwriting tips: Grab em by the throat and never let go. Develop a clean line of action for your leading character. The more subtle and elegant you are in hiding your plot points, the better you are as a writer. If you have a problem with the third act, the real problem is in the first act. Tip from Ernst Lubitsch: Let the audience add up two plus two. Theyll love you forever. The audience is fickle. Know where youre going. In doing voice-overs, be careful not to describe what the audience already sees. Add to what they are seeing. The event that occurs at the second act curtain triggers the end of the movie. The 3rd act must build, build, build in tempo until the last event, and then& &thats it. Dont hang around. (Tips via Gwenda.) Hell, these are story-telling tips in general.

austinkleon:

Billy Wilder, 1960

Wilder’s 10 screenwriting tips:

  1. Grab ‘em by the throat and never let go.
  2. Develop a clean line of action for your leading character.
  3. The more subtle and elegant you are in hiding your plot points, the better you are as a writer.
  4. If you have a problem with the third act, the real problem is in the first act.
  5. Tip from Ernst Lubitsch: Let the audience add up two plus two. They’ll love you forever.
  6. The audience is fickle. Know where you’re going.
  7. In doing voice-overs, be careful not to describe what the audience already sees. Add to what they are seeing.
  8. The event that occurs at the second act curtain triggers the end of the movie.
  9. The 3rd act must build, build, build in tempo until the last event, and then…
  10. …that’s it. Don’t hang around.

(Tips via Gwenda.)

Hell, these are story-telling tips in general.

(via keiren-smith)

animalstalkinginallcaps: THAT’S IT, JOSH. ROLL ANOTHER JOINT. YOU LIKE BEING HIGH, DON’T YOU? AFTERWARDS MAYBE YOU CAN WATCH SOME ADULT DVDS. THE SINS OF THE FLESH CONSUME YOUR THOUGHTS. SUCH EXQUISITE LONGING. THERE IS NOTHING WRONG WITH YOUR DESIRES, JOSH. EVERYTHING IS PERMISSIBLE. FEAR NOT TEMPTATION, BUT LET IT GUIDE YOU- Satan, I get it. Seriously. Please go home now. I CAN’T. THEY’RE FUMIGATING MY APARTMENT. Can you at least go somewhere else? I’m kind of busy here. Or at least I’d like to be. I’ve got a 10 page paper due tomorrow afternoon. I promise I’ll masturbate before I go to bed. YES, YES. OF COURSE. MY APOLOGIES. I SUPPOSE I COULD CALL MARK. I’VE GOT SOME WONDERFUL IDEAS FOR NEW FACEBOOK FEATURES.

animalstalkinginallcaps:

THAT’S IT, JOSH. ROLL ANOTHER JOINT. YOU LIKE BEING HIGH, DON’T YOU? AFTERWARDS MAYBE YOU CAN WATCH SOME ADULT DVDS. THE SINS OF THE FLESH CONSUME YOUR THOUGHTS. SUCH EXQUISITE LONGING. THERE IS NOTHING WRONG WITH YOUR DESIRES, JOSH. EVERYTHING IS PERMISSIBLE. FEAR NOT TEMPTATION, BUT LET IT GUIDE YOU-

Satan, I get it. Seriously. Please go home now.

I CAN’T. THEY’RE FUMIGATING MY APARTMENT.

Can you at least go somewhere else? I’m kind of busy here. Or at least I’d like to be. I’ve got a 10 page paper due tomorrow afternoon. I promise I’ll masturbate before I go to bed.

YES, YES. OF COURSE. MY APOLOGIES. I SUPPOSE I COULD CALL MARK. I’VE GOT SOME WONDERFUL IDEAS FOR NEW FACEBOOK FEATURES.

 

These guys are the worst. Anybody is allowed to tell me if I fall into this stereotype. I’d like to think I’m better than this. But sometimes, I dunno. My biggest fear is repeating myself. My second is didactic writing. I’m talking about artistically, neither of those hold much to death. But who are my biggest influences? -Faulkner -Cormac McCarthy -Tennessee Williams -Hemingway -Barry Hannah -J.D. Salinger -David Milch -Raekwon -Hunter S. Thompson -Betlehem Shoals All this talking about writing just depresses me, though: it all seems very ymw. Problem being, I do write. But I don’t put it on tumblr. I look for little magazines, and do it part to hone craft. I write for Drawl Magazine. It’s odd talking about it; it makes me sound like a pretentious sot. But I’ve got the stripes; I just don’t see the point of putting them on the Internet.

These guys are the worst. Anybody is allowed to tell me if I fall into this stereotype. I’d like to think I’m better than this. But sometimes, I dunno. My biggest fear is repeating myself. My second is didactic writing. I’m talking about artistically, neither of those hold much to death.

But who are my biggest influences?
-Faulkner
-Cormac McCarthy
-Tennessee Williams
-Hemingway
-Barry Hannah
-J.D. Salinger
-David Milch
-Raekwon
-Hunter S. Thompson
-Betlehem Shoals

All this talking about writing just depresses me, though: it all seems very ymw. Problem being, I do write. But I don’t put it on tumblr. I look for little magazines, and do it part to hone craft. I write for Drawl Magazine. It’s odd talking about it; it makes me sound like a pretentious sot. But I’ve got the stripes; I just don’t see the point of putting them on the Internet.

tvdontstaynomind: urlesque: scottfriday: Depending on the amount of time and participants, we define a project for every workshop. Indeed, like in any endeavor, change and neural rewiring takes hard work over time. : | As part of our policy of continuous improvement, SHARP reserves the right to make design and specification changes for product improvement without prior notice. &Its the manual for my new TV. “I know what you do, Pete.” -American Tabloid This could mean ANYTHING.

tvdontstaynomind:

urlesque:

scottfriday:

“Depending on the amount of time and participants, we define a project for every workshop.”

“Indeed, like in any endeavor, change and neural rewiring takes hard work over time.” : |

“As part of our policy of continuous improvement, SHARP reserves the right to make design and specification changes for product improvement without prior notice.”

…It’s the manual for my new TV.

“I know what you do, Pete.”

-American Tabloid

This could mean ANYTHING.